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Buy Bandits At Amazon!.
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Six out of ten directors these days exercise music-video techniques in memoir film, and most of them in a hackneyed plan, but in Bandits Katja von Garnier shows them how it should be done. Utilizing the kinetic energy of music-video techniques but blending them seamlessly with charged cinematic storytelling, a crackling script, and uniformly splendid acting, von Garnier’s film is a naughty and satisfying trudge, one of the few rock-band stories to have held my notice.
The movie’s first asset is its diverse lead characters: Jasmin Tabatabai is electrifying as loose cannon Luna, while also having penned most of the songs on the soundtrack. During the music-video sequences, which are so expertly edited and nicely timed in the film so they don’t seem jarring at all, she becomes a rock goddess, while also holding her occupy with funny timing and during the more sensitive sequences. Katja Riemann is vast as brainy, middle-aged drummer Emma, and when Emma and Luna fraction their heart-to-heart on the street after Luna’s drunken binge, it’s the most fine moment in the film, where von Garnier reins in her camera and lets the actors breathe. Not-too-bright, vulnerable bassist Angel (Nicolette Krebitz) and downhearted keyboardist Marie (Jutta Hoffman) round out the band, helping to provide shades, diversity and tension.
The music itself isn’t for everybody, but the sheer diversity of styles incorporated in this movie is refreshing: From hard rock to riot-grrl punk, from girl pop to acoustic folk, from blues to a lounge act (destined to go dreadful, L7 style) — though it’s not perfect music, it fits the tone of the movie perfectly, augmented by the fact that it *is* written and performed by the Bandits of the movie (aside from covers) .
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In the kill, like Rush Lola Hasten, Bandits negotiates its stylistic innovations such as disrupted time (absolutely luminous editing by Hans Funck), dramatic ellipses and “invisible” payoffs with a sense of fun and moments of apt catharsis to execute a grandly delicious whole.
these ladies kick a**! The Bandits are four imprisoned German women with wildly different personalties who play in a prison rock band. When an opportunity to flee presents itself, they choose it, led by the appetizing Katja Riemann, a major star in Germany. While they’re on the race, a recount producer puts out a CD of the demo tape they’ve sent him and they become overnight hits. From here on out it’s sort of “Thelma & Louise” meet “A Hard Days Night”, with humor. The actresses wrote most of the songs, which are in English, and effect all the vocals and instrumentation. This is a movie that can be enjoyed by feminists and male chauvanists alike.
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